Articles Archive for February 2011
Issue 006 Feb '11, Upcoming events, Visual Art »
Art and writing can play a crucial role in the process of psychosocial transformation. Written language has a big influence on all kinds of communication. Also, art has often been described as a universal language, which ability to communicate transcends age, race or colour, educational, religious, political or geographical background. FairPen Uganda Foundation explains how the kids can use to use the pen and the brush during elections.
Issue 006 Feb '11, Special analysis, Visual Art »
Uganda’s visual art scene, like the country’s history, has been through turbulent times. In this feature Harry Johnstone explores the evolution of visual art in Uganda. Harry examines Uganda’s historical differences with other regions in Africa, visual artists’ reaction to post-independence political struggle as well as the work of several contemporary artists.
Artwork critiques, Issue 006 Feb '11, Visual Art »
Art criticism and art history are in-exclusive of each other. In art-making, the artist usually produces a visual statement which in turn becomes the subject-matter for a response or reaction from the observer. In this sense, a work of art may be considered a language.
Read Dr. Abel Diakparomre’s article about this matter.
Artist interviews, Issue 006 Feb '11, Visual Art »
Sanaa Gateja is an artist truly designed for the 21st century. His ideologies of creativity are spot on the current global consciousness. Making art by recycling man-made waste materials. Empowering craftswomen all around Uganda by sharing his skills of beadmaking. Continuously improving his artwork or jewellery by constantly innovating. And combining art forms as different as music, fashion accessories, interior decor and visual art to express a holistic milieu where authentic African culture can be experienced. Not bad for a man whose artistic journey started in the late sixties.
Creative techniques, Issue 006 Feb '11, Visual Art »
Henry Mzili Mujunga shows you, step-by-step, how to do Woodcut Printmaking using a Dark-to-Light Technique. Woodcut prints are usually strong, simple designs in monochrome or in just a few colors. Because of this, woodcuts have the advantage of being easy to reproduce, which made them a popular form of illustration before modern printing methods. Click here to learn how to print dark-to-light.




