Tuesday, 19 Mar 2024
Month: July 2013

Special edition of Startjournal.org. Issue 034 Jul '013.

Endnotes of Chapter Two

“What is art? What is culture? If you are able to define it, then you know you are in trouble. How does Arts writing come into the picture? There is a myth that it is about judging something from very good to very bad, but the criteria for evaluating artworks are multi-dimensional.” Editor Thomas Bjørnskau writes his farewell note, and hands over Start to a new team.

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Half Man, Half Words

“If there is a truth to be admitted to, I will concede this one; it feels like truth, scabrous, incomplete and grudgingly accepted: being a writer is like going on being married. You arrive at a point in it where you no longer have the energy to learn to live with a new person and hold down your peregrinations.” An essay on writing by Ugandan writer AK Kaiza.

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When Film Imitates Art

“I thought film was an art. … However, it was not long before I discovered that filmmaking is not an art. It’s an expensive hobby. It’s a business. It’s a science, because it relies on technology. It requires managerial skills, diplomacy in dealing with egos, and communication skills—because it’s a collaboration.” An essay on filmmaking by Ugandan filmmaker Dilman Dila.

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A Mind of Its Own

“When I have been surrounded by gracious courteous musicians, the stage has always been a space of incredible intimacy. Those times when I have played in the orchestra have once or twice felt as though I was being swept up by a thunderstorm. You watch the notes lift off the page as you play them; suddenly the world disappears around you.” An essay on music, love and jazz by Serubiri Moses.

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Writing Plays; What Is It?

“More than any other forms of writing, plays are meant to be heard, touched, seen. While writing a script, the playwright is offering an action, an idea to which the audience immediately reacts, individually and collectively, causing the actor in their next line to respond in return and on it goes; approximating life.” An essay on playwriting by Angella J. Emurwon, Ugandan playwright.

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Why Write?

“The doubts hound: Am I really good enough? Who am I to think I have new stories to tell and a new way to tell them? But I have to go on because I have an ego that feeds on words, mine and anyone else’s. I need to prove that I can do it. At the core though, I write in an attempt to make sense of this world. Who and what and why are we? Why do we do what we do, to ourselves and to one another? Why can’t we stop?” An essay on writing by Ugandan writer Doreen Baingana.

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Singing for the Heart

“Right now, with the growth of the creative industry globally and the culture of “bling” as perpetrated by mainstream artists, I think a lot of people think it’s a way to make fast money. It looks glamorous, being on stage, mingling with stars, having lots of money—which is a myth, there is always a price to be paid when signed to a major label—nice clothes, fast cars and beautiful men and women around you, but in fact it is a profession that takes a lot of commitment, practice and hard work.” An essay on singing by Ife Piankhi.

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New Directions in Contemporary Dance

“There is a lot that needs to be done in the form of research and documentation of existing dance initiatives and styles. … Structures that support the growth of dance in Uganda as a whole will provide the much-needed impetus for the sector. … The health sector is also an area that can benefit from dance through body conditioning for injured people. … The utilisation of dance for other purposes, such as dance in education, is vital to the development of a sector that should have mass appeal due to the importance of cultural groupings.” Samuel Lutaaya has fresh ideas for the dance industry in Uganda.

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Art, that that………

Samson Ssenkaaba aka Xenson graduated in 1999 from the Margaret Trowell School of Industrial and Fine Arts, Makerere University majoring in graphic design and painting. Since then, his works have been shown in numerous exhibitions and fashion shows in Uganda and abroad. Read his poem ‘Art, that that…….’

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