Articles in the Issue 026 Nov ’12 Category
In this first part of a three-part essay, Angelo Kakende relates the recent Nude 2012-exhibition at FasFas to former Nude 2000 and Nude 2001-exhibitions held at Nommo Gallery. He looks beyond the claim for the aesthetic appeal, and attends two ways in which the production and circulation of the nude in contemporary Ugandan art in general and nude exhibitions in particular fuses the line between aesthetics and pornography; art and non-art.
Artwork critiques, Issue 026 Nov '12, Visual Art »
“It had never occurred to me that setting up twelve shipping containers across the city could account for a festival, but it certainly did when the shipping containers were translated into art exhibition points. This was the Kampala Contemporary Art Festival dubbed ‘12 artists, 12 locations’ and it ran from 7th-14th October with a theme ‘12 Boxes Moving’.” Elizabeth Namakula reviews.
Artwork critiques, Issue 026 Nov '12, Music »
“Through the systematic collection and display of culture, the Milege band managed to create an integrated multiculturally diverse experience for both foreigners and native Ugandans. It beckoned to the feeling that music is truly the space of multiculturalism, that does not have neither race, class nor tribe as guide posts. Nawany is a representation of that multiculturally integrated Uganda to come.” Serubiri Moses reviews for startjournal.
Artist interviews, Film, Issue 026 Nov '12 »
Amakula International Film Festival in Uganda has been in existence for the past 8 years. Samuel Lutaaya has interview two industry players with different views about Amakula’s impact. Dilman Dila can not see how Amakula is promoting Ugandan films within Uganda, while the festival manager Nathan Kiwere thinks Amakula has played an instrumental role in building capacity of filmmakers.
Issue 026 Nov '12, Visual Art »
The monument “The Journey” was unveiled at the Kololo airstrip during then celebration of the 50 years of independence. The five youthful individuals represent the five decades Uganda has passed through as an independent state. Nakisanze Segawa looks at this one and some of the most significant monuments that represent Uganda’s past and the future.
Issue 026 Nov '12, Music, Opinions »
“Ancient African art was characteristic of realism and consciousness. Be it visual arts, music, literature, if you retrospectively gave it a thought you will realize that these two features were more or less the pillars that aesthetically sustained it; and the underlying reason why a lot of people will still say antique art still surpasses modern art. They dag into a wide range of topics that homed in on politics, romance, social science, and the likes (scruples of this are still apparent). Nonetheless, today I’m afraid I feel that what I comprehend as the true essence of art has been watered down.” Lutakome ‘FELIX’ Fidelis writes for startjournal.