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Most Commented

• Where’s the real voice of Ugandan hip-hop?
• The new dawn of the MishMash Experience
• Kyeyune’s The Kampala I Will Always Come Back To: Sanitised Economic Injustices and the Risk of Propaganda
• Does luga-flow symbolize Ugandan hip-hop / rap music?
• Corporate sponsorship of the arts: Friend or foe?

Start – A Journal of Arts and Culture in East Africa

• Ife Piankhi in Residence at 32° East
  Ife Piankhi is a recent artist in residence at 32° East | Ugandan Arts Trust where she explored communal trauma, communal healing and identity through poetry, painting, woodwork and collage arts. Ife explored these themes and a variety of materials from May to July of 2017. She also hosted two community conversations to exchange stories […]
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• Mira Nair and the making of Queen of Katwe
  By Kalungi Kabuye Before Queen of Katwe, Mira Nair was probably better known as the director of the 1988 film Salaam Bombay, which was nominated for an Academy Award for Best Foreign Language Film. In Uganda we first knew her for Mississippi Masala (1991), a story of an Indian girl whose family had to leave […]
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• Katwe, a genuine pleasure
  By Annette Sebba These and many more memories have been triggered by the 2016 Uganda movie, Queen of Katwe. I agree with Olly Richards of the Sunday Times, United Kingdom, that even with a clearly signposted ending, the movie still manages to offer surprises. Nair delights in Uganda, painting a country of many social contrasts […]
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• Re-reading the Warps and Wefts in Trowell’s Mother and Child Print: Debates and Contests
  Margaret Trowell has been called the ‘mother of contemporary art in Uganda and a feminist’ (Tumusiime 2012). This is because in the mid-1930s she introduced the teaching of contemporary art at Makerere University and wrote widely on issues concerning family, women and children. On the other hand, she also created art though only few of […]
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• Editorial: Returning to the archive: It is still rich, accessible and usable!
  This issue demonstrates that the available archive of the history of Uganda’s visual culture is still rich, accessible and usable. However, it could shape a conversation on the country’s creative discourse if (and only if) we looked at it again and looked at it hard enough. Dr. Angello Kakande gives an overview of the articles […]
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• Bayimba turning 10yrs, with a bit of pressure on determining what next!
  by Faisal KIWEWA Fig 1. Joel Sebunjo and Sundiata This 2017, Bayimba is making 10 years of working and investing in the arts and culture in Uganda. This is really a great moment for all of us at the organisation and a bit of pressure on determining what more we have to achieve. Whilst implementing […]
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