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Articles tagged with: Joel Sebunjo

Artwork critiques, Issue 033 Jun '13, Music »

[30 May 2013 | Comments Off on Bayimba Jinja: Crowd-pullers wanted | ]
Bayimba Jinja: Crowd-pullers wanted

There was that general feeling that the Bayimba Festival in Jinja had not been advertised enough, hence the slow attendance of people. Festivals are supposed to give you that sense of excitement and belonging. It’s hard to get that with a scanty number of people. That aside, the sound of music of its own is bound to bring you numbers since the event was in a public space and considering that shs 1000 is not a lot to pay. On this occasion, there was something missing in the music acts that performed. This festival needed at least one or two big names that are certain crowd-pullers to uplift the mood of the festival.

Issue 031 Apr '13, Literature, Music, Special analysis »

[31 Mar 2013 | One Comment | ]
WAZO 9: Arts Education — Lovely or Essential?

Faisal Kiwewa, the Director of Bayimba Cultural Foundation, spoke on “Arts and Arts Education: Lovely or Essential?” on 12th March 2012 at The Hub in Kamwokya. It hinged on principles gleaned from Eliot W. Eisner’s The Arts and the Creation of Mind and the verve of Bayimba’s work with local artists.

Artist interviews, Issue 030 Mar '13, Music, Special analysis »

[1 Mar 2013 | One Comment | ]
The influence of ancient drum practices on contemporary music

African societies, since time immemorial, have always been moved by the sound of the drum. Communication and celebration with percussions were norms within our numerous cultural contexts. Drums in African traditional societies were sources of identity that distinguished various social groupings. Samuel Lutaaya has interviewed Brian Magoba to learn how drums have been used in contemporary pop music compared to traditional music.

Artwork critiques, Dance and Theatre, Issue 025 Oct '12, Music »

[5 Oct 2012 | Comments Off on 10 Lessons learned from a well-organized Bayimba | ]
10 Lessons learned from a well-organized Bayimba

With the exception of the Laba! Arts festival, there are not so many festivals on the Ugandan calendar. So Bayimba gave us a feel of what a festival should be like. In the words of its Director Faisal Kiwewa, “Celebrating the feeling of belonging and experiencing the freedom of culturality.” And while at it, celebrate culture in all its diversity, so it seemed. Elizabeth Namakula reviews the Bayimba.

Issue 021 Jun '12, Upcoming events »

[4 Jun 2012 | One Comment | ]
Liberation-Arts-Participation at the 6th LaBa! Street Art Festival

This year Uganda will celebrate its golden jubilee, and what better way to celebrate such a milestone other than with art! On June 9, Mackinnon road Nakasero will be ready for the sixth LaBa! Street Art Festival, once again organized by Goethe-Zentrum Kampala (GZK) / Ugandan German Cultural Society together with Ugandan artists.

Issue 021 Jun '12, Music, Special analysis »

[30 May 2012 | Comments Off on DOADOA: Taking African music to the global scene | ]
DOADOA: Taking African music to the global scene

“Africa produces the best music in the world, but getting the music to the global level is still a big problem.” This viewpoint was given by Ruth Daniel, a co-founder of the global grassroots and creative community Un-Convention, at a press conference in Jinja. The press conference was organized by the Bayimba Cultural Foundation; launching the annual Bayimba Festival and DOADOA, the East African performing arts market at the Bax Conference Center.

Artist interviews, Dance and Theatre, Issue 018 Mar '12, Music, Special analysis, Visual Art »

[29 Feb 2012 | 3 Comments | ]
Outlook 2012: Six leading Ugandan arts and culture professionals share their visions

Faisal Kiwewa, Director of Bayimba Cultural Foundation, Adong Judith Lucy, a renowned playwright, film maker and arts practitioner, John Bosco Kyabaggu, production manager at the Uganda National Cultural Centre, Ronex Ahimbisibwe, a renowned visual artist, Maurice Kirya, musician and brainchild of the Maurice Kirya Experience, and Joel Sebunjo, acclaimed Ugandan world music artist, all share some thoughts about 2011 and 2012.

Artwork critiques, Issue 018 Mar '12, Music, Special analysis »

[29 Feb 2012 | 2 Comments | ]
A Case for Good African Music

“There were a number of magical moments in the World Music showcase by Joel Sebunjo and Ismaël Lo on Friday. One was watching Sebunjo play the opening kora-solo to ‘Nakato’. Another one was hearing Ismaël Lo sing ‘Tajabone’, alone on stage with his guitar.” Serubiri Moses mediate on African music – “One must be able to feel the spirit of a people through music.”

Artwork critiques, Issue 016 Jan '12, Music »

[28 Dec 2011 | One Comment | ]
Is this really Uganda?

The idea of a festival of the arts in the Ugandan sun was welcomed. Like others themed alike, This Is Uganda was expected to celebrate the Uganda free spirit in all cultural senses. In its second year, TIU shows it has set out to celebrate a different culture. Even when the organisers expected the event to be endorsed by a big number of revelers, at the end they were not happy with the turnout. At this rate, TIU might need to change tack in the next edition.

Artist interviews, Issue 008 Apr '11, Music »

[31 Mar 2011 | 2 Comments | ]
Kora Sessions: An interview with Joel Sebunjo

He is the self dubbed Ugandan Youssou N’dour from the kind of music he plays. Joel Sebunjo is the mediator between two worlds that seemed incompatible artistically and he is taking this job very seriously. Samuel Lutaaya met up with him at the National Theatre to get a peek into what makes him the artist that he is.