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Articles tagged with: Moses Serubiri

Editorial Notes, Featured, Review, Special analysis »

[3 Apr 2017 | One Comment | ]
Editorial: Returning to the archive: It is still rich, accessible and usable!

This issue demonstrates that the available archive of the history of Uganda’s visual culture is still rich, accessible and usable. However, it could shape a conversation on the country’s creative discourse if (and only if) we looked at it again and looked at it hard enough. Dr. Angello Kakande gives an overview of the articles in this Feb – May 2017 Issue.

Featured, Interview, Special analysis, Visual Art »

[2 Apr 2017 | One Comment | ]
Global Connections: Elise Atangana on 2nd Kampala Art Biennale

By Moses Serubiri. The Kampala Art Biennale emerged in 2014, organized by the Kampala Arts Trust. It was billed erroneously as the “first biennale in Africa” in the Observer newspaper. Not surprisingly, the biennale was isolated from the Kampala Contemporary Art Festival – KLA ART, its predecessor in 2012. The Kampala Art Biennale premier edition, held at the Uganda Museum, was themed Progressive Africa, and its artistic director was artist-educator Henry Mzili Mujunga. While the first edition embodied a Pan-African spirit of artistic production, it contradictorily relied on the notion of “tourism”—one of the very funny comments I overheard at the opening was when a panelist compared art sales to gorilla mountain treks. Regardless, the biennale seemed to draw quite a lot of local press and drew in large crowds who came to see the Pan-African selection of artworks on display. This year, Moses Serubiri talks to the curator of the 2nd Kampala Biennale, Elise Atanganga.

Bayimba, Music, Special analysis »

[30 Apr 2014 | Comments Off on Bayimba – Gulu | ]
Bayimba – Gulu

Bayimba Gulu was dynamic and full of culture. Raymond Omerio Ojakol was there to cover it.

Dance and Theatre, Issue 037 Nov '13, Music »

[12 Nov 2013 | 2 Comments | ]
Mango Roses: A Review

Mango Roses is a recounting of Uganda’s troubled past weaved through the chaotic journey of two lead female character.

Issue 034 Jul '13, Music, Opinions »

[1 Jul 2013 | One Comment | ]
A Mind of Its Own

“When I have been surrounded by gracious courteous musicians, the stage has always been a space of incredible intimacy. Those times when I have played in the orchestra have once or twice felt as though I was being swept up by a thunderstorm. You watch the notes lift off the page as you play them; suddenly the world disappears around you.” An essay on music, love and jazz by Serubiri Moses.

Issue 033 Jun '13, Music, Special analysis »

[30 May 2013 | 2 Comments | ]
Making contacts at Doa Doa and building music infrastructure

A great number of opportunities at DOA DOA in Jinja this month were snatched by musicians who had managers, PR agents, artist statements and CDs available — in short, professional musicians. This was further explained in a talk by Andrew Dabber about effective marketing. Serubiri Moses reports from DOA DOA.

Issue 031 Apr '13, Visual Art »

[31 Mar 2013 | One Comment | ]
Artachat: Divulging art in the public place

Artachat is a series of six discussions and debates addressing topical issues surrounding visual art in Uganda. The aim is to encourage critical thinking, bring new ideas and inspirations amongst other. The first one recently took place at 32º East in Kansanga.

Artwork critiques, Issue 010 June '11, Literature »

[1 Jun 2011 | One Comment | ]
Poetry in Session: An intellectual revival in Kampala

In the midst of the proliferation of entertainment joints extolling the virtues of “baby take off your clothes’’ music, a remarkable revolution of poetry is taking place, in the Kampala suburb of Kira Road, at a gallery called Isha’s Hidden Treasures. What started last November with an audience of 15 people has now turned into a much-anticipated meeting of minds. Achola Rosario reviews the event.