Articles tagged with: Sanaa Gateja
Featured, Issue 033 Jun '13, Opinions, Visual Art »
“The enslavement of the African has persisted despite his desire for the liberties of capitalism. The oppressor and his kindred have continued to spread their greedy tentacles to engulf any outcrops of resistance. We cannot breathe the fresh air of liberty because the clever chameleon changes its spot like the dreaded HIV/Aids. These sound like chants straight out of the communist manifesto, but they are simply the lamentations of a hopeless artist whose every move forward has been checked by disparaging stereotypes. One would be quick to assume that art is the last frontier of resistance to this form of suppression and dominance. After all, it is what really defines a people’s existence.” Mzili speaks.
Issue 027 Dec '12, Special analysis, Visual Art »
Artwork critiques, Issue 026 Nov '12, Visual Art »
“It had never occurred to me that setting up twelve shipping containers across the city could account for a festival, but it certainly did when the shipping containers were translated into art exhibition points. This was the Kampala Contemporary Art Festival dubbed ‘12 artists, 12 locations’ and it ran from 7th-14th October with a theme ‘12 Boxes Moving’.” Elizabeth Namakula reviews.
Issue 019 Apr '12, Special analysis, Visual Art »
A city flooded with litter is great news for the creatives. Artists should look for waste materials in their immediate surroundings, take advantage of the built-in shapes, colours and textures of ordinary rubbish, and treat the piles of litter as a main source of inspiration. These were some of the messages delivered by some of Uganda’s finest artists at the first TEDx-conference hosted in Kampala.
Artwork critiques, Issue 019 Apr '12, Visual Art »
The exhibition ‘Olubugo Reloaded’ at FAS FAS Gallery is important because it presents artworks based on the bark cloth material with a focus on what place it has in Uganda and within the contemporary arts of Uganda. Art lecturer in fibers and weaving, Lesli Robertson of the University of North Texas, continues to see that bark cloth is finding stronger ground every year and it is through the work of Ugandan artists and designers that this material continues to elevate its place within contemporary art.
Issue 017 Feb '12, Special analysis, Visual Art »
“With a host of art spaces and projects springing up, all designed to foster creativity, innovation and experimentation of the arts, and extending art to the local people, art in Uganda is evolving in a new direction.” Dominic Muwanguzi has visited Weaver Bird Arts Community, Fasfas Art Café, 32° East and more new art venues.
Artwork critiques, Issue 016 Jan '12, Music, Visual Art »
At this year’s This Is Uganda-festival young people shared ideas, promoted their artistic merchandise and learnt a thing or two about culture. Some came to see, some came to feel, other came to show off. There were simple art projects with global consequences, but was there a real message? Henry Mzili Mujunga reviews the arts and crafts at TIU 2011.
Margaret Nagawa has had many roles and responsibilities participating in Uganda’s fine art world. She has been a student of fine art, a maker of fine arts, a curator, a teacher, a promoter, and a collector of fine arts. And now again, a student of fine arts! Margaret currently lives in Ethiopia but is working on her PhD from Makerere, writing her dissertation on ‘Visual Arts Dissemination and Cultural Translation in East Africa’.
Issue 010 June '11, Special analysis, Visual Art »
David Oduki, the co-founder of Royal African Foundation, attended the opening of the exhibition “Let Us Share Beauty” in Utrecht, the Netherlands. “Local galleries in Uganda should be aware of global trends and adapt exhibitions to those trends. They also should promote the likes of Collin Sekajugo and explain their recycling message to the local public,” David Oduki tells Startjournal.
Artwork critiques, Issue 009 May '11, Visual Art »
The Uganda art scene is increasingly getting more exciting and rather competitive with each passing month. After the successful launch of the Signature art exhibition – with its pomp and glamour – last year at the Serena Hotel, another artistic event, MishMash, has debuted on the art scene making art lovers and artists again very optimistic about art in Uganda.
Artist interviews, Issue 006 Feb '11, Visual Art »
Sanaa Gateja is an artist truly designed for the 21st century. His ideologies of creativity are spot on the current global consciousness. Making art by recycling man-made waste materials. Empowering craftswomen all around Uganda by sharing his skills of beadmaking. Continuously improving his artwork or jewellery by constantly innovating. And combining art forms as different as music, fashion accessories, interior decor and visual art to express a holistic milieu where authentic African culture can be experienced. Not bad for a man whose artistic journey started in the late sixties.