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Articles tagged with: Anwar Sadat Nakibinge

Artwork critiques, Issue 030 Mar '13, Visual Art »

[1 Mar 2013 | 2 Comments | ]
Talking happiness in love with Edison Mugalu

“This exhibition at Umoja Art Gallery in Kamwokya was Mugalu’s clear and heartfelt contribution to a day some people love to love and others love to hate: Valentine’s Day. The reason why some people love to hate the day is not hard to fathom. It’s the high expectations and demands that lovers place on each other which are rarely meant. … This is why Mugalu’s message was all the more relevant.” Elizabeth Namakula reviews.

Artwork critiques, Issue 028 Jan '13, Special analysis, Visual Art »

[2 Jan 2013 | 4 Comments | ]
Nudity? It is Artistic Expression and Free Speech (part III)

In this third and final part of a three-part essay, Angelo Kakende reviews the recent Nude 2012-exhibition at FasFas: “Nudes 2012 was different from Nude 2000, Nude 2001… It was mobilised with local resources and initiatives. This created the burden of the need to sell and recover costs. In my opinion, it is this economic incentive which affected the positions the artists took while. They treaded carefully avoiding the risk of offending anyone.”

Issue 027 Dec '12, Special analysis, Visual Art »

[30 Nov 2012 | 2 Comments | ]
Ugandan Art: From Galleries to Green Lawns and Red Roads

Do you want to learn about the development of the Ugandan Visual Arts scene? In this article, Margaret Nagawa starts with the impact of Margaret Trowell and Cecil Todd, and gives a brief overview of some of the developments in the art scene all the way up to the recent KLA ART 012.

Artwork critiques, Issue 020 May '12, Visual Art »

[30 Apr 2012 | One Comment | ]
Edison Mugalu’s art: The serendipity of success

“I have been following the trends in Uganda’s visual environment in the last decade, with keen interest and I have noted something rather distinct. While the events in art that made headlines in the period of economic recovery (1986-2000) were led by seasoned artists with predictable results, those in the last decade have been dominated by younger artists most of whom in the early stages of their careers. … Edison Mugalu typifies this cadre of younger artists who have taken to making art as their full time employment and many have made a success of it. Their work exhibit a bold and aggressive attitude which is also reflected in their marketing strategies.” Professor George Kyeyune reviews Mugalu’s work for startjournal.

Issue 013 Oct '11, Special analysis, Visual Art »

[2 Oct 2011 | 6 Comments | ]
Is the Ugandan art scene on the right path?

Kampala’s arts scene is on the move. There is no longer such a thing as “the only gallery in town”. These new white cubes appears in many shapes and frequencies, and provides great, new arenas for creators to meet potential buyers and patrons. But who are the new drivers behind the wheel? Startjournal takes a look at the spin-offs, the garden parties, the corporate fueled charity events and the festivals.

Artwork critiques, Issue 012 Sept '11, Visual Art »

[31 Aug 2011 | 3 Comments | ]
Taking art back to communities: The Mabarti Street Art project

The project of taking art to the street that Sadolin is spearheading will give artists and their ‘new audience’ the opportunity to dialogue. The artists will cast their nets beyond the gallery visitors to include local audiences. They will understand each other better and gradually develop images that match their expectations. Mabarti art project has confirmed to the Kampala dwellers and visitors that there is a community of artists in Uganda actively and devotedly practicing art and that these artists would like to reach out to them.

Issue 009 May '11, Special analysis, Visual Art »

[28 Apr 2011 | 5 Comments | ]
How group studios can foster creativity

Collaborative thinking can help foster creativity. If the collective works the right way, a group studio has great potential to help visual artists bring out more original and exciting ideas. Why not learn from the best in the creative field; Pixar Studio.

Issue 008 Apr '11, Special analysis, Visual Art »

[31 Mar 2011 | 4 Comments | ]
Group studios in Uganda: The Challenges of a Collective

In 2007, when Start Magazine covered the story of Mona Studio, there was an air of great expectations for the cause of young artists working together. It was a case of two charismatic artists slowly but surely etching their way into an indifferent community in Kamwokya, a suburb of Kampala city. Edison Mugalu and Anwar Nakibinge were forging an art collective to make an impact on the local community. And they almost pulled it off, but for the ignorance of one major factor at play in any alliance; the divergence of vested interests.