Wednesday, 17 Apr 2024
Year: 2019

Indian alley with director Dan Moss, Ashish Verma and Nicolas Fagerberg - Image: Imperial Blue

Imperial Blues: European-African co-production in the post-colonial era

Who has the right to make an “African film”? Can filmmakers who do not originate from the continent make such films that reference the continent? Who decides this? This an many more questions were raised during a conversation between Samuel Lutaaya Tebandeke (Ugandan filmmaker) and David Cecil (British producer) on British-Ugandan production Imperial Blue.

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The team working on their co-creation (image by Design Hub Kampala)

Four minds of Gender Equity – The making of a stop motion animation

What does a group of artists with backgrounds in different fields have in common when they come together to work on a topic as huge and as controversial as Gender Equity? Actress and creative mind Esteri Tebandeke reflects on a co-creation process initiated by Design Hub and Hivos.

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Jackie Akello

The money of Music in Uganda

There is a popular prevailing assumption that when you make a hit song, you break through and achieve lots of success. The reality is very sobering. Every music artist must have a side hustle or alternative streams of income other than recording and performing music. Acaye Elizabeth Pamela dives into the Ugandan music industry and speaks to some key players to investigate where the money is in music.

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Illustration by Diana Bwengye

WHAT IT IS – Arinda Daphine’s Poetry Series on Sexuality and Womanhood

Writer Gloria Kiconco introduces a new poetry series by Daphine Arinda titled “What it is”, The series traces the journey from girlhood to womanhood. Arinda is one of the few poets in Uganda to explore erotica, a genre that is challenging, sensitive, and often politicised. It is easy to dismiss erotica as a genre. It is easy to assume it has no power or deep social and political influence because it is pornographic.

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Illustration by Diana Bwengye for the poem "Loose" by Daphine Arinda

Loose – a poem about a woman’s expression and desires

In the poem “Loose”, Daphine Arinda satirises the term used to describe women who are comfortable expressing their sexual desires. A woman who dresses sexy, dances wildly, enjoys sexual encounters is labelled “loose”. She is more of a threat because she does this for herself. Arinda claims this word for a positive use, aligning it to its other meaning, one akin to freedom. The woman in this poem becomes one who is free to enjoy her sexuality, saying, “But dignity and self-respect are MINE/ mine to lose.”

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Some of the available titles in the Malaika Children's Mobile Library

Entrepreneurship in the Arts, a model from the Malaika Children’s Mobile Library

Rosey’s Ssembatya’s mobile children’s library brings with it new ideas and approaches to reading and children. It is a unique arts innovation because; it focuses on children, their reading abilities, what they read, reading for fun, who reads for them. It also has a business niche to it. Tapping into a new young generation of readers, in a decade, we won’t have ‘Ugandans don’t read’ kind of phrases anymore.

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