Monday, 15 Apr 2024
Year: 2010
Donald Wasswa at Serena Art Exhibition 2010.

Donald Wasswa at Serena Art Exhibition 2010.

Corporate sponsorship of the arts: Friend or foe?

Art needs patronage. This could be provided by people of modest income who buy art on a regular basis to decorate their spaces and to use as gifts. These abound on the Ugandan art scene. But how useful are these art buyers to an industry that demands major capital injection for its growth?
In this article, Henry Mzili Mujunga questions the role of the corporate sponsors of Arts in Uganda.

Read More >>
George Kyeyune at his home studio, 2010.

George Kyeyune at his home studio, 2010.

The Perceptive Observer: An interview with George Kyeyune

A cow. A boda boda. A woman carrying her child in a sling. A man pushing a wooden wheelbarrow. George Kyeyune sees extraordinary stories in ordinary events.
”If I can record these moments in time as permanent images. To engage my audience. To show you our history. To provoke you and challenge you about who you are. Then I have accomplished my mission as an artist”.

Read More >>

Taga Unveils Totems of Uganda

The recent Totems of Uganda painting project by Taga Nuwagaba was nothing short of a new testament of creative thinking and artistry put together. During the opening at the Uganda Museum, most patrons agreed that Taga had raised the bar of visual arts presentation: The more than 1,500 guests, the fanfare, and much more, was a far cry from what had come to typify art Ugandan exhibitions in a very long time.

Read More >>
Eria Sane Nsubuga

Eria Sane Nsubuga

Sane: The steady decline in media coverage of visual arts

“Artists must become more visible and more aggressive in their social dealings. Their messages should become more provocative and defiant. The writers should take time to write about their own work and make sure it is published regularly.” Eria ‘Sane’ Nsubuga speaks out about the steady decline in representation of artist and message in Ugandan media.

Read More >>