Friday, 23 Feb 2024
Year: 2015

Photograph by Sarah Waiswa. Product Of Your Environment (2015)

transFORM#1: A conversation with Afriart Gallery Art director Daudi Karungi

The transFORM #1 Contemporary Art Experience is happening this Saturday 5th December at a warehouse behind the Nakumatt in Bukoto. The event, which is organised in partnership with the Goethe Zentrum Kampala, is widely advertised in the media as an art experience with exhibition and after party with South African DJs. Startjournal met with the organiser Daudi Karungi to find out what was the rational behind the event.

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Faceless Figures, White Cut-Outs

What happens to Fanon’s followers during liberation? In what condition is Fanon’s nativism when revolution gives birth to independence from the terror of colonialism? How does Fanon translate to the cultural and economic development of present day Africa? Serubiri Moses turns to Eria Solomon Nsubuga’s recent exhibition for answers.

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Another Roadmap Cluster to impact on art education on the continent- Q&A with Wolukau-Wanambwa

Emma Wolukau: The Another Roadmap Africa Cluster are a group of scholars and practitioners of artistic and cultural education, working across the African continent, who have come together to pursue a joint programme of research into arts educational practice in Africa that is critically informed and grounded in historical analysis. The group’s aim is to produce and to share knowledge about and through artistic and cultural education in Africa, and to make this knowledge available both across the continent and worldwide.

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Duplicating Fabian Mpagi’s, the thinker, by Waddimba spurs controversy

The next big story in the Uganda contemporary art scene could be the duplicating of the painting, the thinker, by Edward Waddimba. The thinker (1993) is a series of paintings composed of a stoic human figure squatting with a hunched back with its right elbow almost supporting its right chin to create an impression of someone in a pensive mood. This painting originally painted by, Fabian Kamulu Mpagi, one of the masters of modern and contemporary art in Uganda, was duplicated in 2008 by Waddimba his former protégé.

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George Kyeyune’s ‘Quiet Dignity’ repeats subject matter, pushes subtle boundaries

“It was at the beginning of the millennium, just before I went for my PhD that I started seriously painting,” Kyeyune narrated in an interview with the writer. In this time, he pursued painting in order to realise himself as an artist. However, like many others faced with the reality of living as an artist, he created more to sell than he created for himself. He confessed that his past exhibitions were not usually pre-meditated, but rather he was approached by gallery managers and owners to present his work regardless of whether or not the collection was cohesive.
“Quiet Dignity” was his escape from this trap. It was a planned exhibition toward which he worked with two goals: to present his findings on the use of modelling wax created from locally available materials and to re-launch himself into studio practice where he could create, not for a client, but for himself.

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Become Art Minded; Afriart launches Art Education Programme

“Art does not solve problems, but makes us aware of their existence,” sculptor Magdalena Abakanowicz has once said. Arts education, on the other hand, does solve problems. Society needs people with skills to think creatively, innovate and to become critical thinkers and learners ready to solve everyday challenges. It is this understanding that has inspired Afriart Gallery to add an Art Education department to their existing scope of work.

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Stimulating artistic inquiry with Ronex’ Bags

The Exhibition titled Bags that opened recently at Afriart gallery in Kampala is a continuation of the innovation, participation and interaction. The artist showcases bags in both small and big sizes with artworks emblazoned on their faces. Some of the images are abstract while others are semi-abstract with human figures and familiar motifs like the pair of fish wedged on canvas, the miniature human face parallel to the miniature standing human figure and the now popular KLA motif.

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Group photo of Scholars and Art Practitioners from the continent at NIAAD. Image courtesy of Ayo Adewunmi.

Decolonizing Art Education on the Continent: Brief

At the launch of Another Roadmap Africa Cluster, at Nagenda International Academy of Art and Design (NIAAD) on 25th July 2015, some of the panelists choose to address the audience in Luganda, a local language in Uganda. The initial impression on the invited guests that included academics, artists, art managers and writers was of confusion and awkwardness.

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Surviving Ugandan Art

Nonetheless I chastised him for having not increased on the size of his format since we last met. I also wondered why he had not moved away from typical imagery of women plaiting hair, boda-boda cyclists, bare landscapes and birds which have dominated his work since the 80s.He was quick to point out that his work style had been shaped by his days in self exile.

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The artist, Ian Mwesiga sits in front of his painting, I am only Human

Melancholy Exhibition, probes the pain of introspection and the joy of self-knowledge

“All the time, whenever I would go to paint, there was this thing in me. I think the energy in the paintings would show there is some bit of soul-searching,” he said to me, drawing back his arms behind his head in a thoughtful pose. There it was. The spirit of Melancholy.

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‘But I wonder, why do we have to be so bothered about the challenges of being received abroad?’ – Q&A with curator Bisi Silva

Start: The 10th Photography Biennale: Bamako Encounter is celebrating photography as an artform. What are still some of those challenges photographers from the continent face to be accepted on the International scene?
Bisi: The 10th Bamako Encounters: African Biennale of Photography is the principal and longest running platform for the presentation of the work of African and African Diaspora photographers and artists to showcase their work to a continental and international audience.
But I wonder, why do we have to be so bothered about the challenges of being received abroad? What about the huge challenges of photographers being accepted across Africa? I think that is where we need to direct our attention.

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A Tree in Public Space

In October 2014, a Mutuba or fig tree was the focus of intense debate during an art exhibition. The Mutuba grows across tropical Africa, and is farmed in Uganda for its use in the making of bark cloth. This centuries old tradition is both cultural and historical. Therefore, it is surprising that the debate at the time, between the KLA ART 014 exhibition organizers and the KCCA, Kampala Capital City Authority, involved a disagreement about where the tree would be planted.

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Ebishushani 2&3: Exhibition archiving Uganda’s history

A second photograph exhibition, Ebishushani 2&3 presented by History in Progress, Uganda at Makerere Art gallery imbues elements of documenting Uganda’s social-political landscape during the colonial and post-colonial regime, inviting dialogue on the significance of photography as a non-traditional art genre within the contemporary arts and creating an intelligent visual discourse that facilitates academic research in form of archive.

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