Covid-19 all caught us all by surprise. Ugandan contemporary artist Matt Kayem had just arrived in Lusaka, Zambia for his art is residency at Modzi Arts when borders closed and there was no return back to his beloved motherland. Trevor Mukholi talks to the artist on phone.
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Visual Art
Covid-19 all caught us all by surprise. Ugandan contemporary artist Matt Kayem had just arrived in Lusaka, Zambia for his art is residency at Modzi Arts when borders closed and there was no return back to his beloved motherland. Trevor Mukholi talks to the artist on phone.
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In this article Carlos Garrido Castellano examines two socially engaged Ugandan art projects: the Disability Art Project Uganda (DAPU), and Lilian Nabulime’s AIDS sculpture. By analyzing both initiatives, I attempt to characterize a new moment in the relations between artistic practice and social intervention in the Ugandan context. I argue that projects such as DAPU and Nabulime’s are confronting the current Ugandan situation of economic and political transformation, marked by the weight of the informal and the challenge of a nation-based cultural sphere. Finally, I point out some similarities with other African socially-engaged art initiatives.
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Artist interviews
Fashion
During the Opening performance of ChomboTrope , the Jitta collective by Kefa Oiro and Stephanie Thiersch yesterday at OneTen on Seventh, it was clear that they had used their creation process to deliver a strong sense of agency with shared ownership and ‘authenticity’.
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Film
Who has the right to make an “African film”? Can filmmakers who do not originate from the continent make such films that reference the continent? Who decides this? This an many more questions were raised during a conversation between Samuel Lutaaya Tebandeke (Ugandan filmmaker) and David Cecil (British producer) on British-Ugandan production Imperial Blue.
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Music
There is a popular prevailing assumption that when you make a hit song, you break through and achieve lots of success. The reality is very sobering. Every music artist must have a side hustle or alternative streams of income other than recording and performing music. Acaye Elizabeth Pamela dives into the Ugandan music industry and speaks to some key players to investigate where the money is in music.
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