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Articles tagged with: Fred Mutebi

Artwork critiques, Featured, Margaret Trowell School of Industrial and Fine Arts, Opinions, Special analysis, Visual Art »

[14 Dec 2016 | Comments Off on Art and the “Ghost” of “Military Dictatorship”: Expressions of Dictatorship in Post-1986 Contemporary Ugandan Art | ]
Art and the “Ghost” of “Military Dictatorship”: Expressions of Dictatorship in Post-1986 Contemporary Ugandan Art

By Angelo Kakande. Although military dictatorship has distorted governance, the rule of law and constitutionalism, and caused fear, hopelessness, loss of life and property throughout Uganda’s post-colonial history, it is also a rich and productive metaphor whose visual expression is steeped in a corrupted Western concept[ion] of modern public opinion. In this article I engage this proposition to re-examine selected artworks in the context of Uganda’s socio-political history in the period 1986-2016 – a period of Uganda’s history dominated by the ruling National Resistance Movement (also called the NRM).

Featured, Opinions, Special analysis, Visual Art »

[28 Jan 2015 | 3 Comments | ]
Music to the ears

Recently I was listening to this ballad by Fela Anikulapo Kuti where he asserted that it is in the Western cultural tradition to carry sh*t. That Africans were taught by European man to carry sh*t. Dem go cause confusion and corruption’. How? Dem get one style dem use, dem go pick up one African man with low mentality and give him 1 million Naira bread to become one useless chief.
Artist Henry Mzili Mujunga speaks his mind about interference within the art scene in Africa.

Featured, Issue 038 Education, Special analysis »

[15 Jan 2014 | 4 Comments | ]
Beyond Tradition & Modernity: Contemporary Art in Uganda

From the start, Uganda’s contemporary visual arts were defined by the absence of their own ‘authentic’ tradition. Throughout the early twentieth century, Makerere University’s European directors sought either to stimulate a latent African-ness of their own imagining in the students, or to push them into the future via an exposure to foreign experiments in representation

Artwork critiques, Issue 028 Jan '13, Special analysis, Visual Art »

[2 Jan 2013 | 4 Comments | ]
Nudity? It is Artistic Expression and Free Speech (part III)

In this third and final part of a three-part essay, Angelo Kakende reviews the recent Nude 2012-exhibition at FasFas: “Nudes 2012 was different from Nude 2000, Nude 2001… It was mobilised with local resources and initiatives. This created the burden of the need to sell and recover costs. In my opinion, it is this economic incentive which affected the positions the artists took while. They treaded carefully avoiding the risk of offending anyone.”

Issue 027 Dec '12, Special analysis, Visual Art »

[30 Nov 2012 | 2 Comments | ]
Ugandan Art: From Galleries to Green Lawns and Red Roads

Do you want to learn about the development of the Ugandan Visual Arts scene? In this article, Margaret Nagawa starts with the impact of Margaret Trowell and Cecil Todd, and gives a brief overview of some of the developments in the art scene all the way up to the recent KLA ART 012.

Issue 025 Oct '12, Opinions, Visual Art »

[5 Oct 2012 | Comments Off on Fred Mutebi: Art – Bargaining for woman | ]
Fred Mutebi: Art – Bargaining for woman

“The series in this collection are meant to inspire Ugandans and well-wishers to think about giving a woman the opportunity to attend to Uganda’s problems for at least five years come 2016 in order for Uganda to recuperate as well as inspire the upcoming artists to have a new approach to depicting women in their artwork so that we give the women the kind of dignity they most deserve.” Visual artist Fred Mutebi writes for startjournal.

Artwork critiques, Issue 015 Dec '11, Visual Art »

[29 Nov 2011 | 20 Comments | ]
Kyeyune’s The Kampala I Will Always Come Back To: Sanitised Economic Injustices and the Risk of Propaganda

In this article Angelo Kakande shows and argues that as representations of life in Kampala, Kyeyune’s paintings are not portraits of individuals or groups. They are in the first place art. In the second, they are sanitised versions of reality intended to suit middle class and tourist aesthetic tastes. In the third place, they carry the risks of pandering to state propaganda.

Issue 014 Nov '11, Special analysis, Visual Art »

[1 Nov 2011 | 9 Comments | ]
Patronage, finesse and passion

Could the above be the ingredients that can be injected into Kampala’s visual arts scene to spice it up? It cannot be denied that the art industry has grown over the past ten years, but where should it go from here? Startjournal.org caught up with a few renowned artists to discover what they believed were the elements necessary for Kampala’s visual arts scene to be the best it can be.

Artist interviews, Issue 010 June '11, Visual Art »

[1 Jun 2011 | 3 Comments | ]
The Missing Ink: An interview with Fred Mutebi

Almost twenty years ago, Fred Mutebi decided to take printmaking in Uganda to another level. Today, no printmaker carves out the lines with such a strength and importance as Mutebi does. In a unique way he captures stunning, evocative images of unpleasant day-to-day scenes. Start talks to Fred Mutebi about his passion for subject matter.

Artwork critiques, Issue 010 June '11, Visual Art »

[1 Jun 2011 | 4 Comments | ]
Food for thought: Recent work by Fred Mutebi

Fred Mutebi’s recent exhibition “Fred Mutebi: Woodcut collection since 2000” at Afriart Gallery was his first in Kampala in 10 years. The artwork displayed was a testament to the skill and creativity that he continues to develop as a printmaker, artist, and social activist. Lesli Robertson reviews some of the highlights.

Issue 006 Feb '11, Upcoming events, Visual Art »

[2 Feb 2011 | Comments Off on Art and writing can change the world | ]
Art and writing can change the world

Art and writing can play a crucial role in the process of psychosocial transformation. Written language has a big influence on all kinds of communication. Also, art has often been described as a universal language, which ability to communicate transcends age, race or colour, educational, religious, political or geographical background. FairPen Uganda Foundation explains how the kids can use to use the pen and the brush during elections.