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Most Commented

• Where’s the real voice of Ugandan hip-hop?
• The new dawn of the MishMash Experience
• Kyeyune’s The Kampala I Will Always Come Back To: Sanitised Economic Injustices and the Risk of Propaganda
• Does luga-flow symbolize Ugandan hip-hop / rap music?
• Corporate sponsorship of the arts: Friend or foe?

Start – A Journal of Arts and Culture in East Africa

• Curator: Friend or Foe of Art
  By Dominic Muwanguzi There has been a raging discussion on the curatorial practice for the Kampala Art Biennale (KAB18) undertaken by internationally renowned curator, Simon Njami, on social media and international art platforms. The conversation emerged in the aftermath of the biennale with online art publications publishing a series of articles. First a critical review […]
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• Transmission at the Kampala Biennale
  “There is no contemporary art in Uganda”, remarked independent curator Simon Njami two years ago when he visited Uganda. The outrageous remark stirred up a storm on the Kampala art scene which the perpetrator has ignited at this year’s Kampala Biennale. Seemingly to assert his earlier claim, Njami, the curator of the third edition of […]
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• Exhibition Making in Enugu and Nsukka, Nigeria: 1960s-1990s
  Relying essentially on archival and library research, this article examines the (hi)story of exhibition making in Enugu and Nsukka (the political and educational capitals of Nigeria’s eastern region, respectively), beginning from the immediate postcolonial epoch of the 1960s, through the post-war period of the 1970s to the 1980s-1990s, historical periods when Nigerian artists constructed and […]
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• From Archival Articles to Future Festivals – Editorial June
  With a season of arts and music festivals drawing near, this issue of Start Journal invites the Kampala arts community not only to look ahead to the opportunities of future festivals but to look back on where art in Kampala has come from, and how the last six years, the last two decades, even the […]
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• Revitalising Ugandan Bark-Cloth – Concerns of the regime artist
  By Fred Mutebi Blind Leading Blind, Leaders and followers – the current state of affairs in our global community. I consider myself an artist of the National Resistance Movement (NRM) regime, which ousted former governments that were blamed for political turmoil that restricted Ugandan artists from optimal practice at home in the 70s and 80s. During […]
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• Ronex: “Can we think of a future without a documented or archived past?”
  Ronex reflects on his own experience and asks himself: "As Ugandans, if we are still struggling with archiving and access of certain information, what role can each player in the Kampala art world play to avert the situation?" The post Ronex: “Can we think of a future without a documented or archived past?” appeared first […]
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