Articles tagged with: Jjuukko Hoods
Issue 025 Oct '12, Special analysis »
Dr. Allan Birabi made this remark about the impunity of increasing Glass Curtain Wall Buildings in Kampala, that disconnect the lay man from his city Kampala. This subject of belonging to a neighborhood, city or urban center, was very much a part of the discourse in the European Union conference termed “How art and architecture can make city development inclusive and sustainable”, which took place at City Hall on 18th September 2012.
Artwork critiques, Issue 020 May '12, Visual Art »
“I have been following the trends in Uganda’s visual environment in the last decade, with keen interest and I have noted something rather distinct. While the events in art that made headlines in the period of economic recovery (1986-2000) were led by seasoned artists with predictable results, those in the last decade have been dominated by younger artists most of whom in the early stages of their careers. … Edison Mugalu typifies this cadre of younger artists who have taken to making art as their full time employment and many have made a success of it. Their work exhibit a bold and aggressive attitude which is also reflected in their marketing strategies.” Professor George Kyeyune reviews Mugalu’s work for startjournal.
Issue 017 Feb '12, Special analysis, Visual Art »
“With a host of art spaces and projects springing up, all designed to foster creativity, innovation and experimentation of the arts, and extending art to the local people, art in Uganda is evolving in a new direction.” Dominic Muwanguzi has visited Weaver Bird Arts Community, Fasfas Art Café, 32° East and more new art venues.
Issue 008 Apr '11, Special analysis, Visual Art »
In 2007, when Start Magazine covered the story of Mona Studio, there was an air of great expectations for the cause of young artists working together. It was a case of two charismatic artists slowly but surely etching their way into an indifferent community in Kamwokya, a suburb of Kampala city. Edison Mugalu and Anwar Nakibinge were forging an art collective to make an impact on the local community. And they almost pulled it off, but for the ignorance of one major factor at play in any alliance; the divergence of vested interests.
Art collectors, Issue 008 Apr '11, Visual Art »
“Artists and the Ugandan art industry should be more responsive to what Ugandans like to relate to in terms of their culture, history of the country and current affairs. They should take an example from the music industry…musicians are doing very well in capturing what people want to hear. “
A Q&A with art collector Kaddu Sebunya of USAID-STAR.