Articles tagged with: Maria Kizito Kasuule
Artwork critiques, Issue 019 Apr '12, Visual Art »
“Different But One, for the last fifteen years, has provided artists a platform for visual artistic expressions that are increasingly dynamic and provocative. This annual event has also given artists the chance to continually keep their talent alive. This year’s Different But One had a visual exuberance to me which led me to compare it to the “jumping the broom” ceremony; a joyful entry into a new life together as artists—male and female, old and young, modern and figurative, abstract and narrative. We, the viewers, are participants of the renewed energy and commitment of Makerere Faculty’s vision and fine arts.” Maria Alawua reviews.
Margaret Nagawa has had many roles and responsibilities participating in Uganda’s fine art world. She has been a student of fine art, a maker of fine arts, a curator, a teacher, a promoter, and a collector of fine arts. And now again, a student of fine arts! Margaret currently lives in Ethiopia but is working on her PhD from Makerere, writing her dissertation on ‘Visual Arts Dissemination and Cultural Translation in East Africa’.
The brand named Ronex is built upon continuous experimentation. Every waking hour – and sometimes during sleep – his brain is working on extracting the images from within, discovering artwork he didn’t know that he kept inside. He moves in all kind of directions, and hides away his finished work because he fears making copies.
Artwork critiques, Issue 009 May '11, Visual Art »
The students of Nagenda International Academy of Art and Design recently held an exhibition entitled ”Art the mirror of our politics” at the Makerere Art Gallery. What makes their work different and unique is that it has been produced and exhibited in the very same period when election exercises are still going on at the lower levels and people’s memories on these elections are still fresh in their mind.
Art collectors, Issue 008 Apr '11, Visual Art »
“Artists and the Ugandan art industry should be more responsive to what Ugandans like to relate to in terms of their culture, history of the country and current affairs. They should take an example from the music industry…musicians are doing very well in capturing what people want to hear. “
A Q&A with art collector Kaddu Sebunya of USAID-STAR.
Artwork critiques, Issue 007 Mar '11, Visual Art »
Artist interviews, Issue 004 Dec ´09 »
George Kyeyune reflects on how the medium affects the message in contemporary Ugandan art.
“Nabulime makes casts of male and female genitals in transparent soap into which she embeds dark seeds to look like infections. We all know that soap is a cleaning agent. The metaphor presented here is that spiritual and physical cleanliness is crucial to the prevention of HIV infection.”