Tag: Bebe Cool

Abanene

The small community that patronises our art, usually constituting diplomats, expatriates and tourists, is not sustainable. They have set for us a standard formula to use in order to satisfy their appetites.

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The influence of ancient drum practices on contemporary music

African societies, since time immemorial, have always been moved by the sound of the drum. Communication and celebration with percussions were norms within our numerous cultural contexts. Drums in African traditional societies were sources of identity that distinguished various social groupings. Samuel Lutaaya has interviewed Brian Magoba to learn how drums have been used in contemporary pop music compared to traditional music.

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Young performers at Bayimba Festival, Jinja 2012.

10 Lessons learned from a well-organized Bayimba

With the exception of the Laba! Arts festival, there are not so many festivals on the Ugandan calendar. So Bayimba gave us a feel of what a festival should be like. In the words of its Director Faisal Kiwewa, “Celebrating the feeling of belonging and experiencing the freedom of culturality.” And while at it, celebrate culture in all its diversity, so it seemed. Elizabeth Namakula reviews the Bayimba.

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A Case for Good African Music

“There were a number of magical moments in the World Music showcase by Joel Sebunjo and Ismaël Lo on Friday. One was watching Sebunjo play the opening kora-solo to ‘Nakato’. Another one was hearing Ismaël Lo sing ‘Tajabone’, alone on stage with his guitar.” Serubiri Moses mediate on African music – “One must be able to feel the spirit of a people through music.”

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