A second photograph exhibition, Ebishushani 2&3 presented by History in Progress, Uganda at Makerere Art gallery imbues elements of documenting Uganda’s social-political landscape during the colonial and post-colonial regime, inviting dialogue on the significance of photography as a non-traditional art genre within the contemporary arts and creating an intelligent visual discourse that facilitates academic research in form of archive.
Read More >>The future appropriation of this archive proves that the archive is never closed. It is, in fact, open and reworked by contemporary visual artists.
Read More >>“The very images themselves are still under construction — as rapidly as a freehand drawing — because each time someone sees one, s/he will add something, omit another thing, and form a memory that they will continue to work on in their minds. This is how we are all not the same. We don’t even see the same thing when looking at the same picture.” Ishta Nandi reviews the exhibition of Rumanzi Canon and Andrea Stultiens at Makerere Art Gallery.
Read More >>September 19-October 14, 2012, Kampala Railway Station Gardens
This project includes an itinerant urban exhibition of contemporary African artistic practices, residencies for African artists, and workshops on the relation between art and the development of modern urban centres in Africa. One of its aims is to highlight the importance of culture and creativity as development tools. This initiative is part of the strategic partnership between the EU and the African Union.
Read More >>Uganda, the state, will be 50 years old on October 9. That is the history book record. However, a private photo collection that started life as a Facebook archive venture is challenging that version of events. Most times, unintentionally. By the simple act of dredging up visual records from 100 years ago of life in the area that is now geographically registered as Uganda, History in Progress Uganda (HIP) is forcing a re-think of what it means to be Ugandan and where Uganda come from.
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