Friday, 27 Jan 2023
Tag: Margaret Trowell School of Industrial and Fine Arts

George Kyeyune’s ‘Quiet Dignity’ repeats subject matter, pushes subtle boundaries

“It was at the beginning of the millennium, just before I went for my PhD that I started seriously painting,” Kyeyune narrated in an interview with the writer. In this time, he pursued painting in order to realise himself as an artist. However, like many others faced with the reality of living as an artist, he created more to sell than he created for himself. He confessed that his past exhibitions were not usually pre-meditated, but rather he was approached by gallery managers and owners to present his work regardless of whether or not the collection was cohesive.
“Quiet Dignity” was his escape from this trap. It was a planned exhibition toward which he worked with two goals: to present his findings on the use of modelling wax created from locally available materials and to re-launch himself into studio practice where he could create, not for a client, but for himself.

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The artist, Ian Mwesiga sits in front of his painting, I am only Human

Melancholy Exhibition, probes the pain of introspection and the joy of self-knowledge

“All the time, whenever I would go to paint, there was this thing in me. I think the energy in the paintings would show there is some bit of soul-searching,” he said to me, drawing back his arms behind his head in a thoughtful pose. There it was. The spirit of Melancholy.

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