On rare occasions in Uganda, an artist dares to challenge familiar representations of beauty. But, what happens when we display tragic, often horrific, experiences? What happens when human interpretation cannot be purchased? How does a curator work with artists and researchers to display the ugly side of the nation’s history? This article seeks to examine — from a curatorial point of view — the key issues that arise when we use exhibitions as spaces to expose an often forgotten war.
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Tag: National Memory and Peace Documentation Centre