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Articles in the Artwork critiques Category

Abstract, Academic Articles, African Modernisms Series, Art collectors, Artwork critiques, Headline, Margaret Trowell School of Industrial and Fine Arts, Special analysis »

[11 Mar 2018 | No Comment | ]
African Art History and the Formation of a Modern Aesthetic

The research project “African Art History and the Formation of a Modern Aesthetic” examines artworks of African Modernisms housed in museum collections. This first set of contributions for Start – Journal of Arts and Culture is the result of a public symposium at the Uganda National Museum in 2016 held as fringe event of the Kampala Art Biennale. In the coming months, the series will be continued with papers on a variety of topics related to African Modernisms and its contemporary relevance.

Artwork critiques, Featured »

[13 Feb 2018 | One Comment | ]
Waswad Creates Extra-terrestrial Beings

If there is a Ugandan artist who can readily fit into the international art circuit, there is none other than Donald August Wasswa a.k.a Waswad. The contemporary art world is always looking for new ways of expression and Waswad fulfils this with his body of work exhibited at Afriart Gallery

Artwork critiques, Headline, Opinions, Review, Special analysis, Visual Art »

[5 Nov 2017 | One Comment | ]
There is little I can say about Canon that he would agree with

Canon should be described as an artist before a photographer. From both his art and being in his company it is undeniable that he is one of the most uncompromising people I have ever met. Attempting to present Canon has proven to be the most challenging part of a longer study on Kampala’s urban photographers and artists and I feel that it is necessary to disclaim the highly subjective nature of my attempts to do so. – By Alex L. Rogerson

Artwork critiques, Featured, Opinions, Review, Special analysis, Visual Art »

[4 Nov 2017 | No Comment | ]
Why Damien Hirst is the greatest artist ever and why every artist should try to emulate him

“Why should an artist live and die as a pauper? Why would an artist be harshly criticized for making a living out of their gift? Why should an artist want to shift the laws of living? Why should artists not stand tall and say they want to be successful and rich?” These are the questions Matt Kayem asks himself.

Artwork critiques, Creative techniques, Review, Special analysis, Visual Art »

[3 Sep 2017 | 2 Comments | ]
Ife Piankhi: A Language and Grammar of Healing

By Erika Holum

Ife Piankhi is a recent artist in residence at 32° East | Ugandan Arts Trust. Working as a performance artist, singer, poet, and creative facilitator for over 30 years, Ife has recently ventured into a creative practice where her craft has taken visual form through a textured, multi-media approach to papier mâché and collage work, and the creation of bright and colorful mandalas. The material and spiritual elements embedded within Ife’s work create a semiotic grammar and visual […]

Artwork critiques, Comics, Creative techniques, Featured »

[3 Sep 2017 | Comments Off on Encounters with Art: The Inaugural Children’s Book Illustrator’s Exhibition | ]
Encounters with Art: The Inaugural Children’s Book Illustrator’s Exhibition

Think back to that moment when you first realized the possibility of any art form. As a writer, I easily trace that back to reading as a child. I still believe that the worlds I explored through books, the lives I lived through books, have made all the difference in who I am and what I do as an adult. Gloria Kiconco attended the first ever Children’s Book Illustrator’s Exhibition at Design Hub Kampala.

Artist interviews, Artwork critiques, Featured, Film, Review, Special analysis »

[5 Apr 2017 | Comments Off on Mira Nair and the making of Queen of Katwe | ]
Mira Nair and the making of Queen of Katwe

By Kalungi Kabuye

Before Queen of Katwe, Mira Nair was probably better known as the director of the 1988 film Salaam Bombay, which was nominated for an Academy Award for Best Foreign Language Film. In Uganda we first knew her for Mississippi Masala (1991), a story of an Indian girl whose family had to leave Uganda because of (their deportation by) then President Idi Amin. It was the first major film in Uganda’s modern history to be filmed in Uganda, and […]

Artwork critiques, Featured, Margaret Trowell School of Industrial and Fine Arts, Opinions, Special analysis, Visual Art »

[14 Dec 2016 | Comments Off on Art and the “Ghost” of “Military Dictatorship”: Expressions of Dictatorship in Post-1986 Contemporary Ugandan Art | ]
Art and the “Ghost” of “Military Dictatorship”: Expressions of Dictatorship in Post-1986 Contemporary Ugandan Art

By Angelo Kakande. Although military dictatorship has distorted governance, the rule of law and constitutionalism, and caused fear, hopelessness, loss of life and property throughout Uganda’s post-colonial history, it is also a rich and productive metaphor whose visual expression is steeped in a corrupted Western concept[ion] of modern public opinion. In this article I engage this proposition to re-examine selected artworks in the context of Uganda’s socio-political history in the period 1986-2016 – a period of Uganda’s history dominated by the ruling National Resistance Movement (also called the NRM).

Artwork critiques, Featured, Review »

[13 Dec 2016 | Comments Off on ‘Dads’ – Report on Dads photography exhibition at the National Theatre | ]
‘Dads’ – Report on Dads photography exhibition at the National Theatre

By Philip Balimunsi. This article summaries the experience of audiences to the Dads exhibition and their general response collected through comments. Further still the article seeks to analyse the exhibition development process and the reaction of viewers in relation to the topic of positive masculinity. Providing a platform to future festival visual conversations, the photography exhibition idea was developed between Bayimba International Festival of the arts and the Swedish Embassy in Kampala to contribute to the greater festival conversation of 2016.

Artwork critiques, Featured, Uncategorized »

[26 Aug 2015 | Comments Off on George Kyeyune’s ‘Quiet Dignity’ repeats subject matter, pushes subtle boundaries | ]
George Kyeyune’s ‘Quiet Dignity’ repeats subject matter, pushes subtle boundaries

“It was at the beginning of the millennium, just before I went for my PhD that I started seriously painting,” Kyeyune narrated in an interview with the writer. In this time, he pursued painting in order to realise himself as an artist. However, like many others faced with the reality of living as an artist, he created more to sell than he created for himself. He confessed that his past exhibitions were not usually pre-meditated, but rather he was approached by gallery managers and owners to present his work regardless of whether or not the collection was cohesive.
“Quiet Dignity” was his escape from this trap. It was a planned exhibition toward which he worked with two goals: to present his findings on the use of modelling wax created from locally available materials and to re-launch himself into studio practice where he could create, not for a client, but for himself.

Artwork critiques, Featured, Uncategorized »

[5 May 2015 | Comments Off on Beautiful Imperfections: An exhibition of sculptures by Makerere Alumni | ]
Beautiful Imperfections: An exhibition of sculptures by Makerere Alumni

With Beautiful Imperfections, the artists continue a journey of both self and artistic exploration started when they were students of Margaret Trowell school of Fine art. Their choice to come back to exhibit here manifests the faith they have in the institution and an insatiable appetite to better themselves at every level of their artistry.

Art collectors, Artwork critiques, Featured, Uncategorized »

[24 Mar 2015 | Comments Off on Art collecting supports Art | ]
Art collecting supports Art

Uganda’s art collectors are famously business men, art managers, foreign expatriates and artists themselves. In the past five years, there has been a surge in the buying art because of an increased number of artists on the local art scene, an influx of art galleries and organizations opening around Kampala, heightened exposure to the global art market and last but not least, political stability.

Artwork critiques, Featured, Special analysis »

[3 Feb 2015 | Comments Off on Demystifying African art Primitivism on Global art scene | ]
Demystifying African art Primitivism on Global art scene

The debate whether African art belongs in Global Exhibitions is one that dominates many art forums across the continent and beyond today. Artists, in a bid to assert their position in this era of globalization and emerge as international citizens have continuously produced artworks that tackle global themes like Environmental conservation, Recycling, Consumption , Material culture, Corruption, Gender & Sexuality and Feminism.

Artwork critiques, Featured, Issue 040 Gender & Sexuality, Special analysis »

[29 Apr 2014 | Comments Off on Double Lives, No Future | ]
Double Lives, No Future

The philosophy of Double Lives is clear: when two planes of the mind are combined a third plane emerges — reconditioning identity.

Artwork critiques, Featured, Issue 038 Education, Special analysis »

[5 Feb 2014 | Comments Off on Students and Masters | ]
Students and Masters

By Eria Nsubuga


Twelve students from Nkumba University’s School of Commercial Industrial Art and Design (SCIAD) collaborated to produce a piece inspired by European masters. How did they choose the Picasso and van Gogh? As their supervisor, I tasked them with making a fusion composition of Picasso’s Girl Before a Mirror, Vincent van Gogh’s Sunflowers and Botticelli’s’ The birth of Venus. These iconic works are in their own right a daunting project, but trying to put three distinct philosophies together was […]

Artwork critiques, Film, Issue 037 Nov '13 »

[22 Nov 2013 | 4 Comments | ]
Hollywood Blueprints – Nairobi Half Life (2012)

Nairobi Half Life’s (2012) premise encapsulates the city’s nickname ‘Nairoberry’. By attempting to portray Nairobi as a city full of cliché characters: thieves, corrupt policemen, prostitutes and homosexuals, the film fails to inform us of the realities of Nairobi’s inhabitants.

Artwork critiques, Issue 037 Nov '13 »

[6 Nov 2013 | 2 Comments | ]

The small community that patronises our art, usually constituting diplomats, expatriates and tourists, is not sustainable. They have set for us a standard formula to use in order to satisfy their appetites.

Artwork critiques, Issue 035 Aug '13, Uncategorized, Visual Art »

[7 Aug 2013 | One Comment | ]
Capturing Conflict in Congo: Tyson’s Proverbial Attempt

If Tyson is speaking the parroted sound bite based language of East and Central Africa’s conflicts then who addresses relevant political tensions in meaningful ways?

Artwork critiques, Film, Headline, Issue 035 Aug '13, Special analysis, Uncategorized »

[7 Aug 2013 | 5 Comments | ]
The Bad and the Beautiful: Commercial Consequences Vs. Art-house Teleology

And yet, like so many other dictators, not only was Amin a frightening, deeply disturbed man, but he was also effortlessly capable of ineffable charisma and charm. The president clearly enjoyed putting on a show.

Artwork critiques, Issue 033 Jun '13, Music »

[30 May 2013 | Comments Off on Bayimba Jinja: Crowd-pullers wanted | ]
Bayimba Jinja: Crowd-pullers wanted

There was that general feeling that the Bayimba Festival in Jinja had not been advertised enough, hence the slow attendance of people. Festivals are supposed to give you that sense of excitement and belonging. It’s hard to get that with a scanty number of people. That aside, the sound of music of its own is bound to bring you numbers since the event was in a public space and considering that shs 1000 is not a lot to pay. On this occasion, there was something missing in the music acts that performed. This festival needed at least one or two big names that are certain crowd-pullers to uplift the mood of the festival.