Saturday, 30 May 2026
Author: start

Visionary Africa – Art at Work: Itinerant exhibition platform in African capitals

September 19-October 14, 2012, Kampala Railway Station Gardens

This project includes an itinerant urban exhibition of contemporary African artistic practices, residencies for African artists, and workshops on the relation between art and the development of modern urban centres in Africa. One of its aims is to highlight the importance of culture and creativity as development tools. This initiative is part of the strategic partnership between the EU and the African Union.

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The River and the Mountain, performed at Tliapia Culture centre, Kampala, August 2012.

To Die a Martyr: The story of a Ugandan Tragicomedy

“Throughout the narrative, are weaved metaphors in the form of rain—which ironically pours outside for the duration of the play—rivers tying each scene to the next, like a powerful memory.” A review of The River and the Mountain, a play written by Beau Hopkins, directed and executive produced by Angella Emurwon and produced by David Cecil of Tilapia Culture, by Serubiri Moses.

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DaudiMzili Twin Exhibition: A Dichotomy of Creativity or Paradox of Mutual Confusion?

“Having attended the same university and only separated by a handful of years; having exhibited in nearly the same galleries and influenced by the same patronage system, this pair comes across as archetypal artistic bedfellows. They seem to have suckled from the same breast of contemporary art awareness and their styles are scarcely singular.” Nathan Kiwere reviews Daudimzili for Startjournal.

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Ugandan Voices of Change: Adong Judith Lucy

Adong Judith Lucy is an artist that stands tall in the rain and tells it like it is. Her recently concluded production, Silent Voices was presented at the National Theatre in Kampala to full houses for most of the twelve showings. Samuel Lutaaya interviews her for Startjournal.

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Questioning ‘Salable’ Art at WAZO

Is good art the art that sells the most? What about madness? Is it an ingredient of great art? How about art donors? These ideas all made up the WAZO Talking Arts edition of July, led by a paper on the subject of Immoral Courage by Henry Mzili Mujunga.

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Kiwewa’yimba: Throwing architectural politics into the development debate

The architecture of a place is a mirror to the political power structures of such place. Through its architecture a political regime defines itself vis-à-vis its citizens; it communicates its ideology to them in public space. So, if we assess the architectural philosophy of our political regime, it provides an additional perspective to our knowledge about the state of democracy in Uganda. Faisal Kiwewa writes for Startjournal.org.

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Image from the first WAZO - Talking Arts.

David Kaiza on Ugandan Arts: Substance or airy pursuits?

“My suspicion is that we in Ugandan arts are chasing air. Are we producing art? There are financing mechanisms, gallery systems, dependence on expatriate markets, and educational systems that hold us back. But these are also precisely the challenges that should offend us enough to try and overcome them. We have had social turmoil for decades, through the 1970s, 1980s to the present. Are we using our talents to create entertainment rather than taking society to task?” Read David Kaiza’s essay presented at the first WAZO Talking Arts meeting in Kampala.

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Ronex celebrating his 10 yrs: New faces + new directions

Is it Art or Wolokoso? was the theme of Ronex’s art exhibition of 10 Years, questioning a fundamental theory that Ugandans do not “get” art. By the end of the four staged exhibits in four galleries, each two weeks apart, several of the showgoers agreed gleefully that what they had experienced was indeed, art. Serubiri Moses reviews for Startjournal.

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The Ugandan Paradox: A rich country of poor people

Joachim Buwembo claims that he wrote The Ugandan Paradox to be able take part in the bonanza of cash squandering sure to ensue as government heads the celebrations of Uganda marking 50 years of Independence. In this book review, Iwaya Mataachi concludes that “The Ugandan Paradox is about a Uganda in decay, with a hero scarcity. All the people Joachim Buwembo meets know something is going wrong, and Buwembo himself understands this more than others.”

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Uganda’s Independence Monuments at 50

Perhaps one day Ugandan artists and citizens will honor Maloba and his vision by reappropriating Independence Monument from its current appropriation, even theft, by the NRM as a rallying place for reflection on the 50 years of betrayals of the original promise of independence. Armed with the social media that Ugandan artists utilize so effectively, they may give birth to a new generation of promise to transform Uganda. What will their monuments, the monuments for the next 50 years of independence, look like?

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Visual artist Bruno Ruganzu's Eco Art project

Color, participation and art at the LaBa! Street Art Festival

What happens when over 200 artists, painters, dancers, musicians, sculptors, fashion designers, and photographers come together in what has become a yearly festival of art? Throw in the angle of celebrating Uganda’s 50 years of independence and what do you have? A blazing hub of activity, color competition for the eyes, music for the ears, perplexity and appreciation for the mind, and inspiration for the heart.

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Summoning the Rains: African women on patriarchy

Summoning the Rains is a collection of short stories by ethnically diverse African women, published by Femrite after their 3rd Writers’ Residency. In this review, Serubiri Moses wishes to explore the representations of women and young girls in the book and relate these images to social and political paradigms, both current and past.

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A street art festivals could include...

Do art festivals matter?

Art festivals like the recent LaBa! Street Art Festival give visitors a chance to get away from the struggle of life and indulge in something more pleasant; arts and entertainment. Kudos to the many who involves themselves by bringing wares to the tables and performances to the tents, but where does the street that hosts an art festival lead us, asks Samuel Lutaaya.

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