Faisal Kiwewa, the Director of Bayimba Cultural Foundation, spoke on “Arts and Arts Education: Lovely or Essential?” on 12th March 2012 at The Hub in Kamwokya. It hinged on principles gleaned from Eliot W. Eisner’s The Arts and the Creation of Mind and the verve of Bayimba’s work with local artists.
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Tag: The River and the Mountain
“As the eighth edition of the Wazo Talking Arts proved, while the expectation is of artists to be at the forefront of debate and to challenge the status quo, artists are also a product of their culture, religion, and politics; their work cannot be separated from their experience. In other words artists are human beings, artists can be frightened, and artists can be ideologically conservative or liberal. If there is one attribute that artists need to create meaningful, challenging, even great work in the face of possible censorship, then that attribute is courage.” Farida Nabalozi reflects on Censorship and the Arts in Uganda.
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“The 1970s were for Uganda the years when the lights started to go out. In the ranks of Ugandans who had fled the country, and who never made it out of the decade, and a big rank it was, dramatists were among the number. Soldiers appeared at the National Theatre in 1977 and dragged then director of the National Theatre, Byron Kawadwa from rehearsals. A military tribunal had in secret passed a death sentence on him and five of his colleagues.” AK Kaiza reflects on the recent history of theatres in Uganda.
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“Throughout the narrative, are weaved metaphors in the form of rain—which ironically pours outside for the duration of the play—rivers tying each scene to the next, like a powerful memory.” A review of The River and the Mountain, a play written by Beau Hopkins, directed and executive produced by Angella Emurwon and produced by David Cecil of Tilapia Culture, by Serubiri Moses.
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