[Posted by start | 14 Dec 2016 | One Comment | ]
Editorial: Start Journal Re-imagined

By Assoc. Prof. George Kyeyune
Start Journal of Arts and Culture is coming back after a break of almost a year. The break was necessary for its internal adjustment and re-organisation to set it on a new footing. It now has a new editorial team that constitutes high profile Africanists: Prof. Sidney Littlefield Kasfir, Assoc. Prof. George Kyeyune, Dr. Angelo Kakande and Ms. Margaret Nagawa.

Read the full story »

Artist interviews, Featured, Film, Interview, New media, Visual Art »

[Posted by start | 14 Dec 2016 | One Comment | ]
Ugandan Artists at the 2016 FNB Joburg Artfair (video)

Video about 3 Ugandan artists, Sanaa Gateja, Sheila Nakitende and Paul Ndema, who showed their works at the FNB Joburg Art Fair 2016. Video by Eric Mukalazi.

Art Education, Featured, Opinions, Photography, Special analysis, Visual Art »

[Posted by start | 14 Dec 2016 | One Comment | ]
Kampala Art Biennale – Photo essay by Fiona Siegenthaler

The documentation and representation of an event is never objective but individual and biased. This is most apparent when you have the privilege of both, being a team member and an observer of a key art event like the Kampala Art Biennale. This is exactly the position I have: As a coordinator of the talks, I worked together with the small but highly engaged team on our aim to make the Kampala Art Biennale the best possible event and offer […]

Artwork critiques, Featured, Margaret Trowell School of Industrial and Fine Arts, Opinions, Special analysis, Visual Art »

[Posted by start | 14 Dec 2016 | No Comment | ]
Art and the “Ghost” of “Military Dictatorship”: Expressions of Dictatorship in Post-1986 Contemporary Ugandan Art

By Angelo Kakande. Although military dictatorship has distorted governance, the rule of law and constitutionalism, and caused fear, hopelessness, loss of life and property throughout Uganda’s post-colonial history, it is also a rich and productive metaphor whose visual expression is steeped in a corrupted Western concept[ion] of modern public opinion. In this article I engage this proposition to re-examine selected artworks in the context of Uganda’s socio-political history in the period 1986-2016 – a period of Uganda’s history dominated by the ruling National Resistance Movement (also called the NRM).

Featured, Opinions, Photography, Special analysis, Visual Art »

[Posted by start | 14 Dec 2016 | No Comment | ]
Seeking that Coveted Photography Award

By Miriam Namutebi. I am a photographer. I love what I do. My journey in photography started when I excelled in my senior six examinations at the age of 18. My Dad rewarded me with a Fuji Film S200EXR camera. Up to today, I don’t know what led him to that choice for a gift. I immediately started using my camera and every photograph I took introduced me to a new world. I loved that.

Featured, Opinions, Review, Special analysis, Visual Art »

[Posted by start | 14 Dec 2016 | No Comment | ]
On the Role of Curatorial Assistant, Kampala Art Biennale 2016

By Martha Kazungu. In August 2016, during a meeting where I was invited to be part of the team to share ideas on how to re-establish and run the Start Art journal, artist Margaret Nagawa, who is also the pioneering person in the effort to revamp Start Art Journal, suggested to me to develop a short narrative essay talking about my role as Curatorial Assistant in the 2016 Kampala Art Biennale.

Artwork critiques, Featured, Review »

[Posted by start | 13 Dec 2016 | No Comment | ]
‘Dads’ – Report on Dads photography exhibition at the National Theatre

By Philip Balimunsi. This article summaries the experience of audiences to the Dads exhibition and their general response collected through comments. Further still the article seeks to analyse the exhibition development process and the reaction of viewers in relation to the topic of positive masculinity. Providing a platform to future festival visual conversations, the photography exhibition idea was developed between Bayimba International Festival of the arts and the Swedish Embassy in Kampala to contribute to the greater festival conversation of 2016.

Creative techniques, Featured, Margaret Trowell School of Industrial and Fine Arts, Visual Art »

[Posted by start | 12 Dec 2016 | No Comment | ]
Kiln Remodeling and its Use with Bizen-like Pottery Firing Techniques

This paper presents the practical processes of remodeling and using a kiln in the Ceramics studio at the Margaret Trowell School of Industrial and Fine arts, Makerere University in Kampala, Uganda. The effectiveness of a kiln is dependent on its design, ability to preserve heat by minimizing heat loss, and the capacity to be economical with fuel. The kiln in the ceramics department used waste oil for firing. During my postgraduate studies spanning 5 years in Japan, I studied and worked with wood kilns – building them and firing in them. Upon returning to Uganda in 2015 with this experience, I was able to identify some of the problems associated with Makerere Art School’s waste oil fired kiln and its hardships.

Featured, Interview »

[Posted by start | 3 Nov 2015 | Comments Off on East African art market ready for International recognition – Q&A with Circle Art Agency Director, Danda Jaroljmek | ]
East African art market ready for International recognition – Q&A with Circle Art Agency Director, Danda Jaroljmek

The Circle Modern and Contemporary East African Auction follows the lead and success of London based Bonhams and Nigeria based Arthouse Contemporary auctions which have staged regular art auctions in a bid to build the emerging African art market. The Circle auction, the only one in East Africa; has transformed the art scene in Kenya, creating enormous interest in East African art regionally and internationally.

Danda Jaroljmek, Founder and Director, Circle Art Agency confirms that this has enabled a gain of […]

Featured, New media, Review »

[Posted by start | 14 Oct 2015 | Comments Off on Glass mirrors Stacey Gillian’s triumphs and despair | ]
Glass mirrors Stacey Gillian’s triumphs and despair

By Samuel Kiwanuka

The Kampala contemporary art scene is increasingly becoming exciting. Artists’ niche to experiment and innovate with new media now facilitates them to convey different forms of visual narratives to their audiences through interaction with the artwork. By building installations in public space created from glass and mixed media, Stacey Gillian conjures a visual discourse that is both personal and intimate. The soft spoken artist’s works evolve around her personal experience of joy, triumph, pain and despair. She’s also […]

Featured, Special analysis »

[Posted by start | 22 Sep 2015 | Comments Off on Faceless Figures, White Cut-Outs | ]
Faceless Figures, White Cut-Outs

What happens to Fanon’s followers during liberation? In what condition is Fanon’s nativism when revolution gives birth to independence from the terror of colonialism? How does Fanon translate to the cultural and economic development of present day Africa? Serubiri Moses turns to Eria Solomon Nsubuga’s recent exhibition for answers.

Artist interviews, Featured »

[Posted by start | 16 Sep 2015 | Comments Off on Another Roadmap Cluster to impact on art education on the continent- Q&A with Wolukau-Wanambwa | ]
Another Roadmap Cluster to impact on art education on the continent- Q&A with Wolukau-Wanambwa

Emma Wolukau: The Another Roadmap Africa Cluster are a group of scholars and practitioners of artistic and cultural education, working across the African continent, who have come together to pursue a joint programme of research into arts educational practice in Africa that is critically informed and grounded in historical analysis. The group’s aim is to produce and to share knowledge about and through artistic and cultural education in Africa, and to make this knowledge available both across the continent and worldwide.

Featured, Special analysis, Uncategorized »

[Posted by start | 1 Sep 2015 | Comments Off on Duplicating Fabian Mpagi’s, the thinker, by Waddimba spurs controversy | ]
Duplicating Fabian Mpagi’s, the thinker, by Waddimba spurs controversy

The next big story in the Uganda contemporary art scene could be the duplicating of the painting, the thinker, by Edward Waddimba. The thinker (1993) is a series of paintings composed of a stoic human figure squatting with a hunched back with its right elbow almost supporting its right chin to create an impression of someone in a pensive mood. This painting originally painted by, Fabian Kamulu Mpagi, one of the masters of modern and contemporary art in Uganda, was duplicated in 2008 by Waddimba his former protégé.

Artwork critiques, Featured, Uncategorized »

[Posted by start | 26 Aug 2015 | Comments Off on George Kyeyune’s ‘Quiet Dignity’ repeats subject matter, pushes subtle boundaries | ]
George Kyeyune’s ‘Quiet Dignity’ repeats subject matter, pushes subtle boundaries

“It was at the beginning of the millennium, just before I went for my PhD that I started seriously painting,” Kyeyune narrated in an interview with the writer. In this time, he pursued painting in order to realise himself as an artist. However, like many others faced with the reality of living as an artist, he created more to sell than he created for himself. He confessed that his past exhibitions were not usually pre-meditated, but rather he was approached by gallery managers and owners to present his work regardless of whether or not the collection was cohesive.
“Quiet Dignity” was his escape from this trap. It was a planned exhibition toward which he worked with two goals: to present his findings on the use of modelling wax created from locally available materials and to re-launch himself into studio practice where he could create, not for a client, but for himself.

Art Education, Collaborative Art Project, Creative techniques, Featured, Visual Art »

[Posted by start | 13 Aug 2015 | Comments Off on Become Art Minded; Afriart launches Art Education Programme | ]
Become Art Minded; Afriart launches Art Education Programme

“Art does not solve problems, but makes us aware of their existence,” sculptor Magdalena Abakanowicz has once said. Arts education, on the other hand, does solve problems. Society needs people with skills to think creatively, innovate and to become critical thinkers and learners ready to solve everyday challenges. It is this understanding that has inspired Afriart Gallery to add an Art Education department to their existing scope of work.

Creative techniques, Featured, Review, Visual Art »

[Posted by start | 11 Aug 2015 | Comments Off on Stimulating artistic inquiry with Ronex’ Bags | ]
Stimulating artistic inquiry with Ronex’ Bags

The Exhibition titled Bags that opened recently at Afriart gallery in Kampala is a continuation of the innovation, participation and interaction. The artist showcases bags in both small and big sizes with artworks emblazoned on their faces. Some of the images are abstract while others are semi-abstract with human figures and familiar motifs like the pair of fish wedged on canvas, the miniature human face parallel to the miniature standing human figure and the now popular KLA motif.

Brief, Featured, Nagenda International Academy of Art and Design »

[Posted by start | 4 Aug 2015 | Comments Off on Decolonizing Art Education on the Continent: Brief | ]
Decolonizing Art Education on the Continent: Brief

At the launch of Another Roadmap Africa Cluster, at Nagenda International Academy of Art and Design (NIAAD) on 25th July 2015, some of the panelists choose to address the audience in Luganda, a local language in Uganda. The initial impression on the invited guests that included academics, artists, art managers and writers was of confusion and awkwardness.

Featured, Review, Uncategorized »

[Posted by start | 29 Jul 2015 | Comments Off on Constructions Exhibition bridges gap between Artists and Artisans | ]
Constructions Exhibition bridges gap between Artists and Artisans

Constructions, is bound into community practice and collaboration within a framework of socially engaged and participatory art and temporary practice. The culmination is a hybrid between exhibition, public installation and event created to reflect everyday contexts.

Featured, Goethe Zentrum Kampala, Review, Uncategorized »

[Posted by start | 21 Jul 2015 | Comments Off on How a single street leads us to the future | ]
How a single street leads us to the future

This year’s LaBa! celebrating its 9th year aimed to create visions for the future reflecting on the past and the present. Can such a complex process of creation be done during a festival?

Featured, Review, Uncategorized »

[Posted by start | 14 Jul 2015 | Comments Off on Rampant Contemporary Kampala is Komakech’s playful performance in sculpture | ]
Rampant Contemporary Kampala is Komakech’s playful performance in sculpture

Rampant implies something wild and unchecked, without restrain. It is often used to describe something unwelcome. Rampant Contemporary Kampala is not an aimed criticism at the unchecked growth of Kampala city; it is more of a series of impressions about the city.

Featured, Uncategorized »

[Posted by start | 7 Jul 2015 | Comments Off on Surviving Ugandan Art | ]
Surviving Ugandan Art

Nonetheless I chastised him for having not increased on the size of his format since we last met. I also wondered why he had not moved away from typical imagery of women plaiting hair, boda-boda cyclists, bare landscapes and birds which have dominated his work since the 80s.He was quick to point out that his work style had been shaped by his days in self exile.